I first heard about DCYOP when I was in high school. As a Maryland native, the organization has always been on my radar. I remember having classmates who participated in DCYOP programs, and although I wasn’t directly involved myself, I always admired the incredible work being done and the unique opportunities DCYOP provided to young musicians in our community.
What inspired you to work in development and fundraising?
I used to think development wasn’t the right fit for me because I’m naturally introverted. As I learned more about arts management, I realized just how essential development is to making the arts possible. I like to say, “There would be no stage without the contributions.” That understanding really inspired me. Working in development and fundraising also felt like a great way to challenge myself and grow beyond my comfort zone.
What do you enjoy most about working at DCYOP?
What I enjoy most about working at DCYOP is the passion and dedication of the team. Everyone here is truly committed to advancing DCYOP’s mission and supporting young musicians. There is a real sense of collaboration and shared purpose, and it is inspiring to be part of a community where everyone cares so deeply about making a positive impact.
What keeps you motivated in your work?
I stay motivated by keeping the mission at the forefront of everything I do. Knowing that my efforts help support young musicians and create meaningful opportunities for them is incredibly rewarding. Since I am still fairly new to DCYOP, I have not yet experienced the orchestra or programs live, but I am looking forward to seeing the impact firsthand. I know that witnessing the results of our work in action will be a huge motivator for me.
Outside of work, what are some hobbies or interests you enjoy?
I have recently taken up gardening, which I am really enjoying. I also love to read, bake, and embroider. And of course, I still make time to play my saxophone whenever I can.
At the vibrant core of the DCYOP is KellyAnn Nelson, our passionate Director of Development whose love for music education shines through every endeavor. A choral music educator by training, KellyAnn’s connection to the world of young musicians is deeply personal and profoundly inspiring.
“My heart lives in the world of music education,” KellyAnn shares. “Working to ensure that this amazing community has the resources it needs to create impactful experiences for young musicians is completely thrilling. Also, my colleagues are the best.” Her enthusiasm is infectious, reflecting a genuine commitment to nurturing the next generation of artists.
KellyAnn’s role goes beyond fundraising and development; it’s about weaving a rich tapestry of community and legacy. She delights in connecting with our DCYOP alumni spanning 65 years, hearing stories of how the program has shaped lives in diverse ways. “Alumni of all ages consistently point to the skills they learned here: how to listen, make decisions, collaborate, embrace new experiences and perspectives, create beauty, and participate in a community,” she explains. These lessons, she notes, have been pivotal in their growth, success, and happiness in all of life.
The DCYOP experience is more than music; it’s about friendships, mentorships, laughter, travel, and unforgettable concerts. Each generation carries forward this legacy, enriching their community and themselves. “Each generation of DCYOP students becomes part of this legacy, carrying these skills and this community with them as they grow within and beyond the program,” KellyAnn reflects.
Celebrating DCYOP’s 65th anniversary is a milestone that KellyAnn holds close to her heart. “It’s a chance to celebrate the generations of students, teachers, parents, and artists who have built the DCYOP community– and to connect each new generation to what comes next!” This celebration is not just about looking back but also about inspiring the future.
Adding a touch of fun to her inspiring profile, KellyAnn reveals a quirky fact that even her coworkers might not know. When asked what fun fact to share, her kids insisted on something far more impressive than her marathon-running or Carnegie Hall conducting experience: “I can touch my nose with my tongue.” Truly, she’s a wizard among us.
KellyAnn Nelson embodies the spirit of DCYOP– dedicated, inspiring, and deeply connected to the transformative power of music. Her work ensures that the program continues to be a beacon of creativity, community, and growth for young musicians today and for generations to come.
Our Spring 2025 concerts will be taking place on Saturday, May 17th, and Sunday, May 18th at the UDC Theater of Arts. Performances will take place at the following times and are open to the public.
Saturday, May 17th 11:30am – Beginners
3:15pm – String Ensembles
5:30pm – Wind Ensembles & Jazz
Sunday, May 18th 1:00pm – Repertory Orchestra and Youth Philharmonic Orchestra
4:00 PM – Young Virtuosi & Youth Orchestra
The UDC Theater of the Arts is located at 4200 Connecticut Avenue NW, Washington, DC 20008. Parking is available in the adjacent UDC parking garage or on the street. All events are free and open to the public!
The DC Youth Orchestra Program (DCYOP) is pleased to announce it’s Passport to Summer intensive musical program for youth during the summer of 2025. The program, designed for complete beginners to advanced student musicians is open to children and youth in grades 1 to 12.
DCYOP faculty and conductors will work with students in orchestral string, wind, brass, and percussion to sharpen their musical skills in both small and large ensemble settings, expand their repertoire, and create new bonds and friendships.
Programs for young students who have not yet started an instrument are designed to help them learn more about orchestral music and explore which instrument is right for them. The last day to register for the summer program is April 30, 2025.
Programs will be held at the MacFarland Middle School, located at 4400 Iowa Ave NW, Washington, DC 20011. Tuition for these programs varies by skill level and income. Assistance programs and payment plans are available.
Our Winter 2024 concerts will be taking place on Saturday, December 14th, and Sunday, December 15th at the UDC Theater of the Arts. Performances will take place at the following times (click the links for full digital concert programs):
The UDC Theater of the Arts is located at 4200 Connecticut Avenue NW, Washington, DC 20008. Parking is available in the adjacent UDC parking garage or on the street. All events are free and open to the public!
DCYOP is known as one of the few comprehensive orchestral music education programs in the country where a four-and-a-half year old can start the program with no musical experience, be introduced to an instrument for the very first time, and come out of the program thirteen-and-a-half years later as an advanced musician with experience performing major orchestral works in professional venues like the Kennedy Center and touring around the world. But did you know that DCYOP directly offers instrumental training to students in the DC public schools (DCPS) system through Prelude, its after-school program?
Originally founded at the request of DCPS in 1960, DCYOP has always been connected to our city’s public schools, whether through direct in-school programming or the location of its Saturday rehearsals and classes. Today, Prelude serves as another unique avenue for DCYOP to provide students in DC with more equitable pathways to instrumental music education, providing tuition-free instruction at five Title I DC public and public charter schools: Takoma, John Lewis, Langdon, and Langley Elementary, and Elsie Whitlow Stokes Community Freedom Public Charter School (East End campus).
“For many years, DCYOP has extended its commitment to providing access to music education into the public schools,” says DCYOP Artistic Director, Evan Ross Solomon. “Students at these Prelude program sites have the opportunity to learn an instrument, make friends, and realize the potential of music education. We are proud to partner with DCPS schools to support these young people in their musical journey.”
Through the Prelude program, approximately 90 students across five schools currently receive up to 6.5 hours of weekly instruction on ensemble instruments including violin, viola, cello, flute, clarinet, saxophone, trumpet, trombone, and percussion. No prior musical experience is required, and students receive loaner instruments at no charge. Prelude students perform in public concerts twice a year in addition to occasional smaller in-school performances, and have the opportunity to join DCYOP’s regular Saturday program when they demonstrate that they are ready to move up to an ensemble experience. The program is heavily inspired by El Sistema, Venezuela’s renowned youth orchestra program that uses music education as a means of youth development and social transformation.
The benefits are clear to John Lewis Elementary School music teacher and DCYOP faculty member, Joanna Ramirez. “Through their participation in our after-school program, my students have been able to foster a community with each other that is very diverse. In orchestra, we have students from second grade all the way through fifth grade, students who are from different backgrounds, and students with very different interests. Throughout the school day, my students only interact with their specific grade band but in orchestra they have the opportunity to interact with people that they wouldn’t otherwise. Most noticeably, my students have developed very promising leadership skills. They are very quick to hold each other accountable, whether they be in the same section or not! They will even correct one another if someone is sitting incorrectly or putting their instrument together incorrectly. They also demonstrate their desire to contribute to our community. They will practically fight with one another for the opportunity to organize the music books, organize the music room, and to organize the instrument room! As they become more passionate about being in the program, they also become more dedicated to the success of the ensemble.”
Our Prelude students are off to a great start this school year, and we look forward to enjoying their first performances very soon! Interested in seeing if your DC public or charter school might be eligible to start its own Prelude program, or wondering how your child can enroll in your school’s existing program next year? Contact your school music teacher or reach out to DCYOP Program Manager, Tim Provost, at [email protected] for more information.
This month, we’re introducing you to another one of our amazing instructors, Joanna Ramirez! Joanna is a multi-instrumentalist and music education all-star who recently joined our regular Saturday staff teaching sectionals and music theory, and has also played a key role in helping establish a new DCPS site for Prelude, DCYOP’s after-school program, at John Lewis Elementary School, where she is a full-time music teacher.
Where did you grow up?
I grew up in Hyattsville, Maryland. I am a very proud product of Prince George’s County!
How did you get started on your instrument?
I initially played alto saxophone in elementary school but after a poor experience, I had decided to give it up. My older sister was in the marching band in high school, and she was also a first chair violinist in the orchestra. I admired my older sister and her friend group a lot, so even though I had given up music after elementary school I knew that I wanted to be in the marching band when I got to high school. It’s important to note that my high school is a visual and performing arts high school, which means that the more elite ensemble required an audition for entry. During my sophomore year in high school, I was granted the opportunity to join the beginner band because I had no playing experience, and I spent that year learning how to play the saxophone. The director of the VPA Band, Mr. Antony Townes, encouraged me to audition for the magnet program and thankfully enough, I passed the audition! However, he made it very clear to me that I would be switching to the oboe and that it would require a lot of hard work and dedication. I spent my junior and senior year in high school learning how to play the oboe and doing my best to keep up with the high-level musicians in the ensemble. While I admit that there was definitely a learning curve, that experience lit a fire under me that I felt was necessary for me to grow as a musician and as a person.
Did you always want to become a professional musician/teacher? What was your path (did you play in youth orchestra growing up, study music in college, have you pursued other careers, etc.)?
I never thought that I would end up being a music educator! In fact, when I started my undergraduate career at Howard University I went in as a criminology major. After my freshman year, I had a conversation with a dear friend of mine, Christian Adkins, who was the drum major of the marching band at the time, about the reason why he chose to study music education. Everything that he said really resonated with me and he encouraged me to go talk to Dr. Benita Gladney, the advisor of the music education department. I had a conversation with her over the summer, and I immediately knew that I wanted to be a music educator! I knew that being a criminology major was very under stimulating for me and as soon as I began my music classes, it felt like what I should have always been doing.
How long have you taught at DCYOP and what is one of your favorite memories?
I am currently the music teacher at John Lewis Elementary School which has an after-school music program thanks to the DCYOP. Last year was my first ever year as a music educator, and thankfully enough I was able to establish a relationship with the DCYOP through the after-school program. I did sub as needed for different sessions on Saturdays, but this year is my first year as an educator on their staff for the Saturday program!
Deciding on a favorite memory is difficult because there are so many different things that I can choose from! I will say that my favorite outcomes were being able to meet and work with DCYOP Program Manager, Tim Provost, and having students stick with the program no matter how hectic things got throughout the school year.
What do you like most about teaching?
To be honest, teaching feels very natural to me. Coming to work is not something dreadful for me, in fact sometimes I don’t even feel like I’m at work! Teaching music feels like something that I’m supposed to be doing, and it feels like I’m fulfilling my life’s purpose when I teach. While I have faced many challenges, such as funding, behavioral issues, and all the things that come with being an educator, I’ve enjoyed having the opportunity to create unique ways to teach music and I’ve enjoyed being able to allow my students to experience music in different ways.
Who is one of your favorite performers? Why?
That’s a tough question for me to answer, but I would have to say that my favorite performers are my friends. I love watching my peers perform because it always reminds me of how far each of us have come in our musical journeys.
What is one of your favorite pieces of music? Why?
I know that I would be basic if I said First Suite in E-flat (by Gustav Holst)…but it truly holds such a special place in my heart! It reminds me of my time in high school and how different my life was back then. Other than that, I would have to say that my favorite piece of music is the finale of Dmitri Shostakovich’s Symphony No. 5. I’ve loved this since the first time I got to play it in high school! The timpani part was what always keeps me hooked!
What are your interests outside of music?
Truthfully, I don’t really have many hobbies outside of music, but I am trying to find some! I do enjoy playing tennis but I have to admit that I’m not as good as I was when I was on the tennis team in high school!
Where is your favorite place to go for fun/what is your favorite thing to do in DC?
Truthfully… I am always at work! I don’t usually have that much down time but when I do, I love to try out new ramen or pho spots!
The Whole Musician Masterclass series for the 2024-2025 season has gotten off to an exciting start! We have been lucky to welcome three amazing artists so far this fall who have worked with our students on everything from managing their stress to expanding their repertoire and navigating careers in the arts.
To kick off the school year, former Whole Musician Masterclass presenter (and DCYOP parent!) Eva Cappelletti-Chao returned to help our seniors learn cognitive diffusion techniques to help them meet the college application process with more openness and curiosity and less stress. An experienced and in-demand freelance violinist, Eva earned a degree in Psychology alongside her conservatory training, and has most recently honed her skills as a life and career coach specializing in supporting professionals and students in the performing arts.
We were also excited to welcome 2022 Sphinx Competition Winner, Kebra-Seyoun Charles to program in September! A highly sought-after virtuoso bass soloist and composer, Kebra coached both beginner and advanced bass students and engaged our community in conversation about their experiences navigating the world of classical music, offering highly personal advice and insights for students who may be considering pursuing advanced music studies in college and beyond.
Lastly, violinist and pedagogue Katie Lansdale shared a fascinating program with members of our Young Virtuosi earlier this month. Katie performed a wide variety of works for violin by composers from underrepresented demographic groups, including Reena Esmail, Jerod Impachchaahaaha’ Tate, and Lei Liang, as a vehicle for encouraging conversation, introspection, and brainstorming around our preconceived notions of “traditional” repertoire and how students can learn to broaden their musical horizons as performers and listeners.
We are excited to continue presenting a wide variety of artists and specialists as part of the Whole Musician Masterclass series throughout the rest of the season as part of our efforts to offer DCYOP students a broad, holistic education in musicianship that embraces every part of the artist. Interested in learning more or suggesting ideas for guest presenters or topics? Contact [email protected] to share your ideas.
The latest news and updates from the DCYOP Family:
Spreading the Joy of Music in Community
YO cellist and Washington Pathways Artist, Ishaan Banerjee, has started a musical volunteer project called The Melodic Minors. Musicians can sign up to perform music at senior centers and homes, elementary and middle schools, and other venues to help spread the joy of music in the community. You can follow them on Instagram or check out this flyer to learn how to sign up and follow their performances throughout the school year.
YO Senior Shortlisted in Prestigious International Essay Competition
Senior Emma van Selm (violin, YO) was shortlisted for the John Locke Institute Essay Competition, a prestigious annual international contest based at Oxford University in the UK. Emma recently attended the gala awards dinner in London, where she received a Certificate of Merit.
DCYOP Students to Lend a Musical Hand at Annual Kennedy Center Spooktacular
In what has become a tradition, DCYOP students volunteered their services at this year’s NSO Halloween Spooktacular, which took place at the Kennedy Center on Sunday, October 27th. Students demonstrated their instruments and performed for young trick-or-treaters at the popular Haunted Hall Musical PLAYspace in the REACH prior to the NSO’s family favorite performance in the Concert Hall.
The season may have just begun but DCYOP students and staff have been busy all summer doing great things. Here are just a few highlights:
DCYOP Students Perform with the Afghan Youth Orchestra at the Kennedy Center
On August 8th, 12 Youth Orchestra and Youth Philharmonic musicians proudly joined members of the Afghan Youth Orchestra (AYO) in performance as they made their much-anticipated return to the Kennedy Center Concert Hall stage after more than a decade. AYO is one of the flagship ensembles of the Afghanistan National Institute of Music (ANIM), which was founded in 2010 by Dr. Ahmad Sarmast as the country’s first and only school of music. The After the Taliban returned to power in 2021, ANIM and its students made the bold move to relocate to Portugal, where they continue their mission of providing equitable, co-education training in Afghan traditional music and Western classical music for talented Afghan children. Washington, DC was the last stop on AYO’s successful East Coast tour, which included performing at Carnegie Hall as part of the World Orchestra Week celebration of international youth orchestras. You can view the entire joyful performance to a packed Concert Hall via the Kennedy Center’s website.
Four DCYOP Students Named 2024-2025 NSO Fellows
We are proud to announce that four DCYOP students were selected to participate in the National Symphony Orchestra (NSO)’s prestigious Youth Fellowship Program for the 2024-2025 school year! Students are selected through a competitive audition and application process to participate in this full-scholarship orchestra training program for serious young musicians considering a career in orchestral music, where they have the opportunity to study with members of the NSO or Washington National Opera Orchestra, rehearse side-by-side with the NSO, and participate in a wide range of opportunities to be coached and mentored by orchestra professionals. DCYOP students who will be participating in the program this year are: Rishab Jain (percussion), Chloe Lee (viola), Kalman Levitin (oboe), and Chloe Robertson (violin).
DCYOP Welcomes New Director of Operations and Operations and Administrative Assistant to Staff
Over the late spring and summer, DCYOP happily welcomed Terrence Teel, Director of Operations, and Allison Giovanetti, Operations and Administrative Assistant to our team. Terrence comes to DCYOP with years of experience as a skilled administrator with expertise in logistics, strategic planning, and organizational governance in organizations including NASA, the Pentagon, and the Department of Veterans Affairs. Allison is an ethnomusicologist, music educator, arts administrator, and French Hornist, whose research includes a study of the representation of Indigenous North American musicians at the GRAMMY Awards during the span of the twenty-first century. Terrence and Allison play critical roles in ensuring that all the behind the scenes operations at DCYOP run smoothly, and we’re so grateful to have them join the DCYOP family.
Please be sure to say hello and introduce yourself to Terrence and Allison the next time you see them at program!
DCYOP Staff Member Selected for League of American Orchestra’s Flagship Training Program
Sandy Choi, Sr. Manager for Marketing and Communications, was one of 36 professionals from the United States, Canada, Spain, and Nigeria, to participate in the League of American Orchestra’s Essentials of Orchestra Management course hosted by the Juilliard School this past summer. The ten-day course offered participants who are committed to careers as arts administrative leaders in the orchestral field the opportunity to learn about every aspect of the industry from leaders representing the full range of orchestral and arts-related organizations across the country, including past and present administrators from the New York Philharmonic, Houston Symphony, Carnegie Hall, Atlanta Symphony, and the Los Angeles Philharmonic.